FAMSI Resources

570 records searched.

Results 36 - 50 of 570

Key:  MCO 1347 Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Collection:  INAH 10-104317 / cm.ROA 1347 / 6-727 / 6-219 Registration:  6-723;6-724; 6-726; 6-727 Provenance:  Tomb 1, mound 7, Xoxocotlán, Oaxaca. Measurements:  52 x 32 cm. Chronology:  Xoo 600 - 800 A.C.   Click to view Chronology Reference:  Saville 1899: 355-356 and plate 22; Caso 1927: fig. 6 (two pieces); Galindo & Villa 1905: 18 (fragment of a head); Caso & Bernal 1952: 17, fig. 2; Winter 1994b: 54. plate 13. Comments:  This piece is part of a series of four that accompanied a central effigy vessel. The piece drawn has been reconstructed. Two of these pieces are at the American Museum of Natural History, but the location of the fourth piece is unknown. For the central piece, see MNA 6-6221. Glyphs:  Glyph C in the headdress.

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Key:  MCO 587546 Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Registration:  587546 Provenance:  Unknown Measurements:  45 x 27 cm. Color:  Beige clay Chronology:  Pitao 350 - 500 AD   Click to view Chronology Comments:  This human figure is wearing a reptile mask. Glyphs:  Glyph C in the headdress.

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Key:  MCO 0116 Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Registration:  Cat. 0116 Provenance:  Tomaltepec, Oaxaca. Measurements:  aprox. 20 cm. Color:  Grey clay. Chronology:  Pe 300 - 100 BC   Click to view Chronology Reference:  Whalen 1981; Urcid 1992: vol. II, 404 (glyph); Marcus & Flannery 1996: 169. Comments:  This piece's face seems to represent glyph U. There might be a glyph C in the headdress or an early variation of the glyph for "cane" with two numerals. Object was excavated by Michael E. Whalen. Glyphs:  Glyph 2 C in the headdress. Early variation.

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Key:  MCO 0014 Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Collection:  Abraham Castellanos Registration:  Cat. 0014 / 10-104324 INAH / 6-963 (Caso and Bernal 1952) Provenance:  Unknown. Etla Valley? (Winter 1994b: 98) Measurements:  42.5 x 27 cm. Color:  Grey clay with traces of red pigment. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Caso and Bernal 1952: 271, fig. 422; Winter 1994b: 98, plate 35. Comments:  This piece has numeral 1 on the chest, but it is upside down. Glyphs:  There is no correspondence with a calendar glyph.

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Key:  MCO Dainzú Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Provenance:  Dainzú, Oaxaca. Measurements:  21 x 14 cm. Color:  Grey clay covered with red pigment. Chronology:  Tani 200 - 350 AD   Click to view Chronology Comments:  The figure's headdress represents a year bearer, similar to the piece in the mound "7 deer" in Monte Albán. The artefact was restored in 1984. Glyphs:  The piece has a bar with two numerals on the chest and a correspondence with glyph U because of the face's mask (7 U).

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Key:  MSMA 1 Actual Location:  Regional Museum of Oaxaca, City of Oaxaca, Mexico (exhibited). Provenance:  Tomb 214, access highway to Monte Albán, Oaxaca. Color:  Grey clay with traces of stucco. Chronology:  Xoo 600 - 800 AD   Click to view Chronology Reference:  Urcid 2005: 41. Comments:  Found in an excavation in 1995. It represents a woman dressed in a "huipil", sitting on a box engraved with the glyph for hill. The woman is wearing a jaguar's head piece.

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Key:  SLAM 114:1980 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Valetta Malinowska; Morton D. May. Registration:  114:1980 / former loan no. 68.449 Provenance:  Unknown Measurements:  35 x 28.7 x 20.3 dia. Color:  Beige clay with traces of red pigment. Chronology:  MA IIIB (Parsons 1980: 148); Peche 500 - 600 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 148, fig. 227; Winter 1994a: 154. Glyphs:  The glyph for "corn field" as pectoral. Dating:  Shaplin and Zimmerman 1978, TL no. 27 (380 rads, authentic).

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Key:  SLAM 238.1978 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Bill Pearson (Los Angeles); Morton D. May. Registration:  238:1978 / former loan number 1967.160 Provenance:  Unknown Measurements:  54 x 52 x 26 dia. cm. Color:  Red clay. Chronology:  MA IIIB (Parsons 1980: 140); Peche 500 - 600 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 139, fig. 212. Comments:  According to Parsons, this piece has been repaired and he believes that the pot is a substitution of the original. Fragments of the volutes that came out of the pot can be seen in the arms. Traces of an ear of corn can be observed in the headdress. Dating:  Shaplin and Zimmerman 1978, TL no. 49 (220 rads, authentic).

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Key:  SLAM 380:1978 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Everett Rassiga; Morton D. May. Registration:  380:1978 / former loan number 1966.563 Provenance:  Unknown Measurements:  62.5 cm. Color:  Dark grey clay with traces of red pigment. Chronology:  MA IIIB (Parsons 1980: 146); Peche 500 - 600 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 146, fig. 224. Comments:  According to Shaplin it was restored at the American Museum of Natural History. Glyphs:  Glyph C in the headdress. Dating:  Shaplin and Zimmerman 1978, TL no. 121 (authentic).

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Key:  SLAM 179:1979 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Everett Rassiga; Morton D. May. Registration:  179:1979 / former loan number 1970.732 Provenance:  Unknown Measurements:  41.3 cm. Color:  Grey clay with traces of red and white pigments. Chronology:  MA IIIA (Parsons 1980: 142); Peche 500 - 600 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 142, fig. 216. Comments:  The mask, the volutes around the eyes and the hair tied in front correspond to glyph Ñ. Glyphs:  Glyph Ñ. Dating:  Shaplin and Zimmerman 1978, TL no. 1 (authentic).

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Key:  SLAM 133:1980 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Valetta Malinowska; Morton D. May Registration:  133:1980 / former loan number 1972.513 Provenance:  Unknown Measurements:  44 cm. Color:  Grey clay with traces of red, yello and white pigments. Chronology:  MA IIIA (Parsons 1980: 142); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980:142, fig. 215. Comments:  On both sides of glyph C, in the headdress, two quetzal birds, placed upside down, can be seen. Glyphs:  Glyph Ñ represented by the volutes around the eyes. Glyph C in the headdress. Dating:  Shaplin and Zimmerman 1978, TL no. 124 (authentic).

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Key:  SLAM 167:1979 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Valetta Malinowska; Morton D. May. Registration:  167:1979 / former loan number 1970.492 Provenance:  Unknown Measurements:  10.7 cm. Color:  Grey clay. Chronology:  MA IIIA (Parsons 1980: 144); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 144, fig. 220. Glyphs:  An engraved notch, which could be a coefficient, can be seen in the loincloth. Perhaps this number corresponds to the mouth mask and, if so, the mask must represent glyph M (1 M). Dating:  Shaplin and Zimmerman, 1978; TL no. 78 (850 rads, authentic).

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Key:  SLAM 176:1979 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Everett Rassiga; Morton D. May. Registration:  176:1979 / former loan number 1970.729 Provenance:  Unknown Measurements:  32.5 cm. Color:  Gray clay with traces of red pigment. Chronology:  MA IIIA (Parsons 1980: 143); MA IIIB-IV (Winter 1994a: 149); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 143, fig. 217; Winter 1994a: 149. Comments:  Representation of Cocijo. The piece's back is engraved with two shapes of "Os" and incised lines. Glyphs:  Glyph C in the headdress. Dating:  Shaplin and Zimmerman, 1978, TL no. 13 (320 rads, authentic).

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Key:  SLAM 249.1978 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Everett Rassiga; Morton D. May. Registration:  249:1978 1-5 / former loan number 1967.470 a-e Provenance:  Unknown Measurements:  42 x 28.5 x 26 dia. cm. Color:  Grey clay with traces of red pigment. Chronology:  MA II or III (Parsons 1980: 138); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 138, fig. 210; Winter 1994a: 154. Comments:  This piece represents Cocijo and is part of a series of five identical pieces. Glyphs:  Glyph C in the headdress. Dating:  Shaplin and Zimmerman, 1978, TL no. 8 (275 rads, authentic).

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Key:  SLAM 116:1980 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Valetta Malinowska; Morton D. May. Registration:  116:1980 / former loan number 1968.576 Provenance:  Unknown Measurements:  34.5 cm. Color:  Grey clay with traces of red pigment. Chronology:  MA IIIB (Parsons 1980: 148); Peche 500 - 600 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 148, fig. 228. Comments:  The figure is holding a bag of incense in the hands and wears a cape decorated with dots. Glyphs:  The glyph Ñ in the face is represented by the volutes around the eyes. Dating:  Shaplin and Zimmerman, 1978, TL no. 24 (600 rads, authentic).

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