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570 records searched.


Results 46 - 60 of 186 for "pitao"
Key:  ROM 1430
Actual Location:  Royal Ontario Museum, Toronto, Canada.
Collection:  Constantino Rickards
Registration:  HM 1430 / 917.4.49
Provenance:  Tenango, District of Etla, Oaxaca.
Measurements:  20.5 cm.
Color:  Grey clay with a lighter coating and traces of red pigment on face and headdress
Chronology:  MA IIIA (Boos 1964b ); Pitao 350 - 500 AD
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Reference:  Boos 1964b: vol. 1, plate XXXI.
Comments:  Right foot missing. Boos says (1964b): "There is a remarkable peculiarity in several urns of this type: the back rim of the urn's hole has been designed in such a way that it looks like a pitcher's pourer, sticking out of the urn's front rim". This piece's face was copied and used for a false piece that is shown in Seler's Collection in Berlin (cf. Schuler-Schömig 1970: 144). However, there are very similar pieces that are authentic; see, for instance, EMB 35256.
Dating:  TL by Lazos, Ortiz, Ruvalcaba and Sellen, 1999, test #110387: authentic.

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Key:  ROM 1915
Actual Location:  Royal Ontario Museum, Toronto, Canada.
Collection:  Constantino Rickards
Registration:  HM 1915
Provenance:  Unknown
Measurements:  15 cm.
Color:  Grey clay.
Chronology:  Pitao 350 - 500 AD
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Glyphs:  Glyph C in the headdress.

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Key:  ROM 1929
Actual Location:  Royal Ontario Museum, Toronto, Canada.
Collection:  Constantino Rickards
Registration:  HM 1929
Provenance:  Unknown
Measurements:  26.5 cm.
Color:  Grey clay with traces of red, yellow and greed pigments.
Chronology:  Pitao 350 - 500 AD
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Comments:  This piece is identical to ROM 1935 and probably constitute a series.
Glyphs:  Glyph C in the headdress.

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Key:  ROM 1948
Actual Location:  Royal Ontario Museum, Toronto, Canadá.
Collection:  Constantino Rickards
Registration:  HM 1948
Provenance:  Yahuiche Ranch, District of the Center, Oaxaca.
Measurements:  33 cm.
Color:  Beige clay with traces of red pigment.
Chronology:  Pitao 350 - 500 AD
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Glyphs:  The glyph for "corn field" in the pectoral.
Dating:  TL by Lazos, Ortiz, Ruvalcaba and Sellen, 1999, test #100363: authentic.

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Key:  ROM 346
Actual Location:  Royal Ontario Museum, Toronto, Canada.
Collection:  Constantino Rickards
Registration:  HM 346
Provenance:  Zaachila, District of Zimatlán, Oaxaca.
Measurements:  16 cm.
Color:  Grey clay.
Chronology:  Pitao 350 - 500 AD
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Reference:  Sellen 1999b: 1, fig. 1.
Glyphs:  Part of the headdress, where there was certainly a glyph C, is broken.

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Key:  ROM 361
Actual Location:  Royal Ontario Museum, Toronto, Canada.
Collection:  Constantino Rickards
Registration:  HM 361
Provenance:  Santa Ana Tlapacoya, District of Zimatlán, Oaxaca.
Measurements:  26.5 cm.
Color:  Beige clay with traces of red pigment in the mouth mask.
Chronology:  Pitao 350 - 500 AD
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Reference:  never published
Comments:  A piece that does not have any limbs attached to it. Only a face, which is part of the vessel, is displayed. See MPM 5231.

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Key:  ROM 495
Actual Location:  Royal Ontario Museum, Toronto, Canada.
Collection:  Constantino Rickards
Registration:  HM 495 / 917.4.38
Provenance:  Unknown
Measurements:  26 cm.
Color:  Grey clay with a rusty color.
Chronology:  Pitao 350 - 500 AD
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Reference:  Boos 1964b: plate XVI.
Glyphs:  In this piece's headdress, there is a mask representing glyph U, the nose of which is broken. Above this mask, there is a glyph representing corn.

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Key:  GM 83.1.89
Actual Location:  Gardiner Museum of Ceramic Art, Toronto, Canada.
Collection:  George C. Gardiner
Registration:  G 83.1.80
Provenance:  Unknown
Measurements:  17.2 cm.
Color:  Grey clay with traces of red pigment.
Chronology:  Pitao 350 - 500 AD
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Comments:  Two vessels adhered to the back. Also see: MFR 2487, MFR 7748, MDO 40, MNA 6-2000, MNA 6-2001, MNA 6-235, MNA 6-257, EMB 28355.

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Key:  MFR 1233
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Howard Leigh
Registration:  1233
Provenance:  Ejutla, Oaxaca.
Measurements:  28 cm.
Color:  Brown
Chronology:  MA IIIA (Boos 1966b:463); Pitao 350 - 500 AD
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Reference:  Boos 1966b: 463, fig. 431; Noguera 1959: 437; Anton 1968: fig. 120.
Comments:  Fragmented piece. It may represent a young ball-game player with part of his head shaved.

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Key:  SMI166071
Actual Location:  Smithsonian Institution, Washington D.C., United States.
Collection:  George Gustave Heye
Registration:  Old number from MAI 16/6071; New number from SMI 166071.000
Provenance:  San Felipe Tejalapan, Oaxaca.
Measurements:  47 cm.
Color:  Grey clay
Chronology:  MA IIIA (Boos 1966b: 379); Pitao 350 - 500 AD
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Reference:  Arts of Pre-Columbian Mexico, 1929; Boos 1966b: 379, fig. 348. Before, this piece was at the Museum of the American Indian in New York (MAI).
Glyphs:  The head piece worn by the human figure corresponds to glyph U.

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Key:  MFR 2884
Actual Location:  Frissell Museum, Mitla, Oaxaca.
Collection:  Darío Quero
Registration:  INAH 2884; Frissell card 13008.
Provenance:  San Felipe Tejalapan, Oaxaca.
Measurements:  15 x 16 x 9.8 cm.
Color:  Grey clay with brown coating.
Chronology:  MA IIIA Paddock 1968 (card); Pitao 350 - 500 AD
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Reference:  Boos 1966b: 378, fig. 347; Paddock 1966: 136, fig. 119.
Comments:  The person represented in this effigy wears a helmet-like headress that corresponds to the glyph U, the deity Cosanna. Above the eyes of this being are two glyphs for maize. The central element of the headress could represent the tail of this creature.
Glyphs:  The mask in the headdress corresponds to glyph U. Glyph J above both eyes of the mask.

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Key:  MFVV 274
Actual Location:  Museum für Völkerkunde, Vienna, Austria.
Collection:  Manuel Ortega Reyes
Registration:  Ausst. Nr. 274
Provenance:  Unknown
Chronology:  Pitao 350 - 500 AD
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Reference:  von Müller 1998 [1864]: 82; Die Mexikanish Sammlungen de Museums für Völkerkunde, Vienna, 1965, plate 19.
Comments:  The figure is missing the pectoral and the part of the mouth mask. He is holding a rope in the right hand, but, as concerns the object in the left hand, there was not enough detail in the photograph to determine its shape. The human figure has the same posture as pieces BM 1946/AM 19/6 and MFVB 28354, so it could be about self-sacrifice of the penis with the rope he is holding.
Glyphs:  Glyph C in the headdress.

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Key:  SMI 273401
Actual Location:  Smithsonian Institution, Washington D.C., United States.
Collection:  Theodore J. Pickett (deposited at the Museum, 1884; acquired from Pickett, 1912).
Registration:  Cat. 273401; Acc. 15149 & 54670.
Provenance:  Unknown
Measurements:  52 x 38 cm.
Color:  Dark grey clay with a lighter grey coating. Traces of red pigment.
Chronology:  MA IIIA (Boos 1966b: 408); Pitao 350 - 500 AD
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Reference:  Boos 1966b: 408, fig. 377; Whitecotton 1977: 66.
Comments:  This piece has a copy in plaster and that is why there are two acquisition numbers. The plaster copy is at the Field Museum in Chicago (no. 2569) (cf. letter from Clifford Evans to Frank Boos, 4 April 1962). In 1903, the Smithsonian Institution made three copies in plaster to distribute them to three museums. The figure is wearing a cape with small dots. The element in the central part of the headdress is missing. Due to the type of piece, it could have been the mask corresponding to glyph U, as it is surrounded by leaves corresponding to glyph 109. The elements hanging from the ear pieces are engraved.

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Key:  PAM 2
Actual Location:  Princeton Art Museum, Princeton, New Jersey, United States (exhibition)
Provenance:  Unknown
Color:  Beige clay
Chronology:  Pitao 350 - 500 AD
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Comments:  The headdress mask presents the features of a butterfly.

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Key:  MFR 1786
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Howard Leigh
Registration:  1786
Provenance:  Ocotlán, Oaxaca.
Measurements:  23 cm.
Color:  Grey clay.
Chronology:  MA IIIA (Boos 1966b: 217); Pitao 350 - 500 AD
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Reference:  Boos 1966: 217, fig. 199; Paddock 1966:138, fig. 131.
Comments:  The central element of the headdress is broken, but it has probably the same shape as the one presented in piece MCO 1991-t/14 (cf. Sellen 2002: 142, fig. 4.107), i.e., the glyph for corn field.
Glyphs:  Two glyphs for corn grain in the headdress. The glyph for corn field in the headdress and the pectoral.

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