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Results 46 - 60 of 403 for "pe"
Key:  MFR 4188
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Howard Leigh
Registration:  4188
Provenance:  Santa Magdalena, Etla, Oaxaca.
Measurements:  54 cm.
Color:  Brown clay.
Chronology:  MA IIIB (Boos 1966b: 143); Peche 500 - 600 AD
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Reference:  Boos 1966b: 143, fig. 129.
Comments:  Identical piece to one in a private collection in the United States. See George C. Kennedy (GK 1).
Glyphs:  Glyph C in the headdress.

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Key:  GK 1
Actual Location:  Private collection, Los Angeles, United States.
Collection:  George C. Kennedy (acquired circa 1959).
Provenance:  Santa Magdalena, Etla, Oaxaca.
Measurements:  65 cm.
Color:  Brown clay
Chronology:  MA IIIB (Boos 1966b: 143); Peche 500 - 600 AD
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Reference:  Stendahl 1968: fig. 234; Easby et al. 1970: fig. 159.
Comments:  Identical piece at the Frissell Museum (MFR 4188).
Glyphs:  Glyph C in the headdress.

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Key:  MFR 12619
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Howard Leigh
Registration:  MFR 12619
Provenance:  San Felipe Tejalapa, Etla, Oaxaca.
Measurements:  64 cm.
Color:  Dark grey clay with traces of red pigment.
Chronology:  MA IIIB (Boos 1966b: 80); Pitao 350 - 500 AD
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Reference:  Boos 1966a: vol. II 26, plate XXV, 1966b: 80, fig. 59; Paddock 1966: 168, fig. 174; Urcid 1999: 254, fig. 20.
Comments:  Drawing based on Urcid (1999: 254, fig. 20). The heavily attired figure holds a bag of incense in the left hand. On the right side of the figure's belt there is a circular element that may represent a mirror. In the center of the headdress, above a series of reptile (alligator) eyes, there is a figure wearing a Xicani mask. Compare the style of this urn with MDO 32 and MDO 33, that also come from the Etla valley.

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Key:  MFR 1241
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Howard Leigh
Registration:  MFR 1241 (Boos gives registration number 1248); INAH 3315
Provenance:  Unknown
Measurements:  79 cm.
Color:  Grey clay with traces of red pigment.
Chronology:  MA IIIB (Boos 1966b: 84); Pitao 350 - 500 AD
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Reference:  Boos 1966a: vol. II, 26, plates XXVI and XXVII; Boos 1966b: 84, figs. 64-65.
Comments:  Urn representing a woman.
Glyphs:  Glyph 5 X in the headdress (see piece ROM 1879 for the same glyph). The human figure in the headdress is wearing glyph C. Glyphs E decorate the cape and two glyphs 109, the headdress.
Dating:  F7

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Key:  MFR 1773
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Leonicio Sanchez; Ervin Frissell
Registration:  MFR 1773 / INAH 2864
Provenance:  Ejutla, Oaxaca.
Chronology:  MA IIIA (Paddock's judgement, MFR card); Pitao 350 - 500 AD
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Reference:  Boos 1966a: vol II, plate XXXVII.
Glyphs:  Glyph J inverted in pectoral.

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Key:  MFR 1347
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Howard Leigh
Registration:  MFR 1347
Provenance:  District of Ocotlán, Oaxaca.
Measurements:  24 cm.
Color:  Grey clay
Chronology:  Xoo 600 - 800 AD
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Reference:  Boos 1966a: vol. II, 70, plate LVIII.
Comments:  Masked person wearing a decorated cape and clasping an incense bag in both hands. What appear to be leaves cover the hands. In the headdress there are three jaguar heads, one in the middle and one on each side. The side heads are turned 15 degrees. The same combination of decorated cape, incense bag and jaguar heads can also be seen in MNA 6-221, MFR 12641, MAMP s/n, MFR 7741 and CB1.
Glyphs:  Glyph E in the headdress.

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Key:  MFR 1816
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Ervin Frissell
Registration:  MFR 1816 / INAH 2605
Provenance:  Miahuatlán, Oaxaca.
Measurements:  29 x 23.5 cm.
Color:  Polychromed: red, white and yellow.
Chronology:  MA IV (Paddock, MFR card); Xoo 600 - 800 AD
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Reference:  Boos 1964a: 87, plate VI.
Comments:  Butterfly headdress. A late version of a common theme, especially during the Pitao period.

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Key:  MFR 1812
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Ervin Frissell
Registration:  MFR 1812 / INAH 2749
Provenance:  Unknown
Measurements:  32 cm.
Color:  Dark grey clay coated in grey.
Chronology:  MA IIIA (Boos 1966b: 405) MA IIIB (Paddock, MFR card); Xoo 600 - 800 AD
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Reference:  Boos 1966b: 405, fig. 372.
Glyphs:  Glyph E in the pectoral. The headdress and mask correspond to glyph Ñ.
Dating:  F42

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Key:  MFVV 59.878
Actual Location:  Museum für Volkerkunde, Vienna, Austria.
Registration:  59.878
Provenance:  Unknown
Measurements:  42.5 x 26 cm.
Chronology:  MA IIIB (Boos 1966b: 147); Xoo 600 - 800 AD
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Reference:  Boos 1966b: 147, fig. 133.
Comments:  The figure was probably holding a bag of incense in the hands, but it broke.

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Key:  MFVV 6087
Actual Location:  Museum für Volkerkunde, Vienna, Austria.
Collection:  Edward Seler?
Registration:  6087
Provenance:  Unknown
Measurements:  36 x 33 x 23 cm.
Color:  Beige clay
Chronology:  MA IIIB-IV (Boos 1966b: 383); Peche 500 - 600 AD
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Reference:  Boos 1966b: 383, fig. 353; Winter 1994a: 155.
Comments:  Human figure with a bird in the headdress, possibly a turkey buzzard. He is holding a bag of incense in the left hand. For similar pieces, compare with MFR 1845, MNA 6-798 and MNA 6-799.

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Key:  MFVH B.349
Actual Location:  Museum für Volkerkunde und Vorgesshichte, Hamburg, Germany.
Collection:  Dr. C.W. Lüdus (NAA photo archives: batch 92, box 6, binder 2).
Registration:  B. 349
Provenance:  Unknown
Measurements:  18 cm.
Color:  Dark grey clay with a light grey coating.
Chronology:  Pitao 350 - 500 AD
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Reference:  Boos 1968a: vol. III, 30, plate XIV a & b.
Glyphs:  Glyph F in the headdress. The bird's eyes are glyph E.

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Key:  MFVH 51.59.17
Actual Location:  Museum für Volkerkunde und Vorgesshichte, Hamburg, Germany.
Registration:  51.59.17
Provenance:  Unknown
Measurements:  17 cm.
Chronology:  MA III (Boos 1962:135); Pitao 350 - 500 AD
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Reference:  Boos 1962: 129-135, plate III.
Glyphs:  This piece has glyph L in the headdress with a bar numeral underneath (Urcid 1992: 407). Boos maintains that this shape represents glyph E "earthquake" (Boos 1962: 133).

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Key:  EMB 28354
Actual Location:  Ethnographic Museum (Ethnologisches Museum), Berlin, Germany.
Collection:  Edward Seler 1897
Registration:  IV Ca. 28354
Provenance:  Yatzechi, Oaxaca.
Measurements:  21.9 x 12 dia. cm.
Color:  Grey clay with traces of a lighter grey paint.
Chronology:  MA V (Eubanks 1999: 148); Late Xoo 600 - 800 AD
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Reference:  Fuhrmann 1922: plate 65; Boos 1968: 2; Schuler-Schömig 1970: 87, plate 117; Mongne 1987: 39 (drawing); Eubanks 1999: 147-148, fig. 119; Deimal and Ruhnau 2000: 18; Sellen 2002: 14, fig. 12a (drawing).
Comments:  Mongne (1987: 39) published this piece as an example of forgery, but thanks to the TL test (Goedicke et al, 1992), we know it is authentic. There is a very similar piece at the British Museum of London (see BM1964/AM 19/6). The ear of corn is a representation of the virile member pierced by a cord in an act of ritual bleeding (cf. Sellen 2002: 14). Also see MFVW 274 for another human figure holding a blood letting cord in his hand.
Glyphs:  Glyph C in the headdress. The broken part of glyph C has been repaired.
Dating:  TL by Goedicke et al. 1992: 71, test 117, authentic (TL's date: 1144-1272 AD).

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Key:  BM 1946/AM 19/6
Actual Location:  British Museum, London, England.
Collection:  Vice-Earl of Cowdray
Registration:  No. 1946/AM 19/6
Provenance:  Cuicatlán, Oaxaca
Measurements:  24 cm.
Color:  Grey clay with shades of yellow.
Reference:  Boos 1968: 3.
Comments:  This piece is almost like one that is at the Ethnographic Museum in Berlin, Germany (EMB 28354). The ear of corn is a representation of the virile member pierced by a cord in an act of ritual bleeding (cf. Sellen 2002: 14). Also see MFVW 274 for another human figure holding a blood letting cord in his hand.
Glyphs:  Glyph C in the headdress.

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Key:  EMB 35272
Actual Location:  Ethnographic Museum (Ethnologisches Museum), Berlin, Germany.
Collection:  Edward Seler 1911
Registration:  IV Ca. 35272
Provenance:  Hacienda de Cacique, District of Etla, Oaxaca.
Measurements:  21.3 x 5.6 cm.
Color:  Grey clay with traces of red paint and white stucco.
Chronology:  MA IIIA (Winter 1994a: 144); Tani 200 - 350 AD
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Reference:  Schuler-Schömig 1970: 116, plate 173; Winter 1994a: 144.
Comments:  This urn is typical from the phase that Caso and Bernal called "transition" because of the type of headdress that looks like a lamp shade. The human figure is holding a mouth mask with feline traits. The right arm has been repaired. There is photograph at the Ibero American Institute in Berlin showing Edward Seler at the Hacienda de Cacique, next to a table with this piece and others. Due to the ceramic types associated with the urn, we can infer that it was part of a ceramic assemblage from the transition period and probably comes from a single burial.
Glyphs:  Glyph C in the headdress.
Dating:  TL by Goedicke et al. 1992, test no.173: authentic (TL's date: A.C. 796-918).

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