FAMSI Resources


Logo
570 records searched.


Results 31 - 45 of 154 for "peche"
Key:  MA t/104
Actual Location:  Monte Albán, built in the facade of tomb 104.
Provenance:  Monte Albán, Oaxaca.
Measurements:  91 cm.
Color:  Grey clay
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Caso 1938: 73 and 76, fig. 92; Caso and Bernal 1952: 51, fig. 72.
Comments:  The figure holds a bag of incense in one hand and the other hand is stretched out. This hand was mutilated by a tourist a few years back. In 1938, Caso identified this piece as Pitao Cozobi or God of Corn, but later, together with Bernal, they decide to classify it, in their work of 1952, as the "God with Cocijo Head in Headdress". The headdress mask belongs to the Xicani and is flanked by two jaguar heads.

Click to view high resolution in a new window
select this image for review

Key:  MAM s/n 2
Actual Location:  Amparo Museum, Puebla, Mexico.
Collection:  Josué Sáenz
Provenance:  Unknown
Measurements:  65 cm.
Color:  Grey clay with blank residues and traces of roots.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Easby et al. 1970: fig. 160.
Comments:  A jaguar coming out of headdress. The figure carries a bag of incense in the hands.
Glyphs:  The headdress mask corresponds to glyph U, the deity "Cosaana".

Click to view high resolution in a new window
select this image for review

Key:  MES 23.8.240
Actual Location:  Swedish Ethnographic Museum, Stockholm, Sweden.
Collection:  August Edwin Paulson
Registration:  23.8.240
Provenance:  Unknown
Measurements:  30.5 cm.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Linné 1938: 138, plate 20.
Comments:  Ears of corn can be seen in the headdress. Compare with the piece at the Amparo Museum (MAM 631) and with the piece at the American Museum of Natural History (AMNH 30.3/2301A).

Click to view high resolution in a new window
select this image for review

Key:  MAM 631
Actual Location:  Amparo Museum, Puebla, Mexico.
Collection:  Josué Sáenz
Registration:  National Anthropology and History Institute (INAH) Reg. 58 P.F., piece 631
Provenance:  Unknown
Measurements:  124 x 50 x 30 dia. cm.
Color:  Grey clay with traces of white paint. Red pigment in the vessel held in hands.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Easby et al. 1970: fig. 161; Amparo Museum 1993: fig. 62.
Comments:  A row of ears of corn can be seen in the headdress. Compare with the piece at the American Museum of Natural History (AMNH 30.3/2301A) and the piece in the Paulson collection (MES 23.8.240).
Glyphs:  Glyph C in the vessel held in hands.

Click to view high resolution in a new window
select this image for review

Key:  SOTH 1996.147
Actual Location:  Unknown
Collection:  Jay C. Leff; Sotheby Parke Bennet Auction, 25 November 1996.
Provenance:  Unknown
Measurements:  49.5 cm.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Easby 1966; Linduff 1974: cover; auction's catalog, Sotheby's 1996: fig. 147.
Comments:  This piece is probably the largest known urn corresponding to glyph Ñ.
Glyphs:  This urn corresponds to glyph Ñ (headdress and mask). Four glyphs J in the headdress.

Click to view high resolution in a new window
select this image for review

Key:  MCT 1
Actual Location:  Civic Museum of Turin, Italy.
Collection:  Cav. Zaverio Calpini , circa 1876; Callegari gives an earlier date 1864 (1931: 514).
Provenance:  Nochistlán o Xoxocotlán (Callegari 1931: 514)
Measurements:  34.3 cm.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Africa, America, Australasia: the Ethnological Collections, Civic Museum of Turin, 1978: 65, fig. 12.
Glyphs:  A glyph J in the headdress. There were probably 2 more, but the headdress is broken.

Click to view high resolution in a new window
select this image for review

Key:  MRT 3
Actual Location:  Mexican Museum of Prehispanic Art, Rufino Tamayo, Oaxaca, Mexico.
Collection:  Rufino Tamayo
Provenance:  Unknown
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Comments:  This large urn of Cocijo is part of a series. There are at least two more of the series, but there were probably up to five pieces in total. One piece is held at the Birmingham Museum in England (BIRM 1965.331) and another is in Stanford, United States (SUAM 1997.167). The said pieces are more complete than the piece illustrated here.
Glyphs:  Glyph C in the headdress.

Click to view high resolution in a new window
select this image for review

Key:  AMNH 30/6955
Actual Location:  American Museum of Natural History, New York, United States.
Collection:  Marshall H. Saville
Registration:  30/6955
Provenance:  Unknown
Measurements:  19 x 26.7 cm.
Color:  Light grey clay with an even lighter grey coating.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Boos 1964a: 77-78, plate I.
Comments:  This piece is a large head of a butterfly.

Click to view high resolution in a new window
select this image for review

Key:  AMNH 30.3/2301A
Actual Location:  American Museum of Natural History, New York, United States
Collection:  Ernest Erickson
Registration:  30.3/2301A and 30.3/2301B
Provenance:  Unknown
Measurements:  38 x 29 cm.
Color:  Grey clay with traces of white stucco.
Chronology:  MA IIIB-IV (Eubanks 1999: 123); Peche 500 - 600 AD
  Click to view Chronology
Reference:  Boos 1968: 195, fig. 175; Eubanks 1999: 123-125, fig. 98; Bigelow Taylor 1988: 54, fig. 57
Comments:  Compare with the piece at the Amparo Museum (MAM 631) and the piece of the Paulson Collection (MES 23.8.240). According to a catalogue published by the AMNH there is another fragment of this urn consisting of two hands clasping a small pot (30.3/2301B). On the pot is the milpa glyph (see Bigelow Taylor 1988: 54, fig. 57).
Glyphs:  Probably had a glyph C attached to its forehead.
Dating:  TL by David Zimmerman, 1974, authentic. Information reported by Eubanks (1999: 124).

Click to view high resolution in a new window
select this image for review

Key:  SWM 1763.G.1
Actual Location:  Southwest Museum, Los Angeles, United States.
Collection:  Donated by Mr. Millard Sheets.
Provenance:  Unknown
Measurements:  65 cm.
Color:  Brown clay.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Rozaire 1966: 41, fig. a; Pre-Columbian Art of Mexico and Central America 1968, fig. 227.
Comments:  This piece is missing part of the headdress and the central part of the pot in the hands.
Glyphs:  Glyph C in the headdress.

Click to view high resolution in a new window
select this image for review

Key:  MBR 38.52
Actual Location:  Brooklyn Museum, New York, United States.
Collection:  Fondo Carl H. Desilver.
Registration:  38.52
Provenance:  Unknown
Measurements:  28.5 x 18 cm.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Winter 1994a: 152-153.
Comments:  The figure holds an unknown object in the hands.
Glyphs:  Glyph C in the headdress.

Click to view high resolution in a new window
select this image for review

Key:  MES 23.8.307
Actual Location:  Swedish Ethnographic Museum, Stockholm, Sweden.
Collection:  August Edwin Paulson
Registration:  23.8.307
Provenance:  Tuxtepec, Oaxaca.
Measurements:  37.9 x 31.9 cm.
Color:  Front part in red. Traces of green paint.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Linné 1938: 160, plate 31.
Comments:  The piece has been partially restored. According to Linné, it was wearing a Cocijo mask.
Glyphs:  Glyph J in the headdress. Two alligator eyes in the throne's back and above these, two glyphs for sprouted corn.

Click to view high resolution in a new window
select this image for review

Key:  MES 29.4.1
Actual Location:  Swedish Ethnographic Museum, Stockholm, Sweden.
Collection:  August Edwin Paulson
Registration:  29.4.1
Provenance:  Unknown
Measurements:  29.5 cm.
Color:  Traces of red paint on face and on front side of piece.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Linné 1938: 136, plate 19; Urcid 1993: 154, fig 15 (2).
Comments:  Urcid (1993: 154) maintains that the figure in the headdress is the Zapotec Xicani.
Glyphs:  Glyph F on the chest. The glyph in the base corresponds to glyph #22 "heart" (Urcid 1993: 150).

Click to view high resolution in a new window
select this image for review

Key:  FM 241092
Actual Location:  The Field Museum, Chicago, United States.
Collection:  Fernando Sologuren #570
Registration:  241092 (Boos gives number 93545)
Provenance:  Santa Inés Yatzechi, Oaxaca.
Measurements:  46 x 31.5 cm.
Color:  Grey clay with traces of red paint.
Chronology:  MA IIIB (Boos 1966b: 42); MA IIIB-IV (Winter 1994: 147); Peche 500 - 600 AD
  Click to view Chronology
Reference:  Schlattman's photograph, circa 1901; Boos 1966: 42, fig. 18; Winter 1994a: 147.
Comments:  In a photograph by Schlattman, this piece appears on the floor of Sologuren's house. The piece went to the United States through an exchange between the National Anthropology Museum and the Field Museum in 1951. The tripartite phalanxes that are displayed on both sides of the piece are broken.
Glyphs:  Epsilon glyph hanging from the ear. Glyph C in the headdress.

Click to view high resolution in a new window
select this image for review

Key:  STENDAHL 1
Actual Location:  Unknown
Provenance:  Unknown
Measurements:  33 cm.
Chronology:  Peche 500 - 600 AD
  Click to view Chronology
Reference:  Stendahl 1968: fig. 237.
Glyphs:  The epsilon glyph hanging from the ears. Inside the glyph's cartouches, there seems to be a numeral bar of 5 in each. Glyph C in the headdress.

Click to view high resolution in a new window
select this image for review

Go to Page:  1 2  3 4 5 6 7 8 9 10 11