FAMSI Resources

570 records searched.

Results 31 - 45 of 403 for "pe"

Key:  MCO 587546 Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Registration:  587546 Provenance:  Unknown Measurements:  45 x 27 cm. Color:  Beige clay Chronology:  Pitao 350 - 500 AD   Click to view Chronology Comments:  This human figure is wearing a reptile mask. Glyphs:  Glyph C in the headdress.

Click to view high resolution in a new window select this image for review

Key:  MCO 0116 Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Registration:  Cat. 0116 Provenance:  Tomaltepec, Oaxaca. Measurements:  aprox. 20 cm. Color:  Grey clay. Chronology:  Pe 300 - 100 BC   Click to view Chronology Reference:  Whalen 1981; Urcid 1992: vol. II, 404 (glyph); Marcus & Flannery 1996: 169. Comments:  This piece's face seems to represent glyph U. There might be a glyph C in the headdress or an early variation of the glyph for "cane" with two numerals. Object was excavated by Michael E. Whalen. Glyphs:  Glyph 2 C in the headdress. Early variation.

Click to view high resolution in a new window select this image for review

Key:  MCO 0014 Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Collection:  Abraham Castellanos Registration:  Cat. 0014 / 10-104324 INAH / 6-963 (Caso and Bernal 1952) Provenance:  Unknown. Etla Valley? (Winter 1994b: 98) Measurements:  42.5 x 27 cm. Color:  Grey clay with traces of red pigment. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Caso and Bernal 1952: 271, fig. 422; Winter 1994b: 98, plate 35. Comments:  This piece has numeral 1 on the chest, but it is upside down. Glyphs:  There is no correspondence with a calendar glyph.

Click to view high resolution in a new window select this image for review

Key:  MCO Dainzú Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Provenance:  Dainzú, Oaxaca. Measurements:  21 x 14 cm. Color:  Grey clay covered with red pigment. Chronology:  Tani 200 - 350 AD   Click to view Chronology Comments:  The figure's headdress represents a year bearer, similar to the piece in the mound "7 deer" in Monte Albán. The artefact was restored in 1984. Glyphs:  The piece has a bar with two numerals on the chest and a correspondence with glyph U because of the face's mask (7 U).

Click to view high resolution in a new window select this image for review

Key:  SLAM 114:1980 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Valetta Malinowska; Morton D. May. Registration:  114:1980 / former loan no. 68.449 Provenance:  Unknown Measurements:  35 x 28.7 x 20.3 dia. Color:  Beige clay with traces of red pigment. Chronology:  MA IIIB (Parsons 1980: 148); Peche 500 - 600 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 148, fig. 227; Winter 1994a: 154. Glyphs:  The glyph for "corn field" as pectoral. Dating:  Shaplin and Zimmerman 1978, TL no. 27 (380 rads, authentic).

Click to view high resolution in a new window select this image for review

Key:  SLAM 238.1978 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Bill Pearson (Los Angeles); Morton D. May. Registration:  238:1978 / former loan number 1967.160 Provenance:  Unknown Measurements:  54 x 52 x 26 dia. cm. Color:  Red clay. Chronology:  MA IIIB (Parsons 1980: 140); Peche 500 - 600 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 139, fig. 212. Comments:  According to Parsons, this piece has been repaired and he believes that the pot is a substitution of the original. Fragments of the volutes that came out of the pot can be seen in the arms. Traces of an ear of corn can be observed in the headdress. Dating:  Shaplin and Zimmerman 1978, TL no. 49 (220 rads, authentic).

Click to view high resolution in a new window select this image for review

Key:  SLAM 380:1978 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Everett Rassiga; Morton D. May. Registration:  380:1978 / former loan number 1966.563 Provenance:  Unknown Measurements:  62.5 cm. Color:  Dark grey clay with traces of red pigment. Chronology:  MA IIIB (Parsons 1980: 146); Peche 500 - 600 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 146, fig. 224. Comments:  According to Shaplin it was restored at the American Museum of Natural History. Glyphs:  Glyph C in the headdress. Dating:  Shaplin and Zimmerman 1978, TL no. 121 (authentic).

Click to view high resolution in a new window select this image for review

Key:  SLAM 179:1979 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Everett Rassiga; Morton D. May. Registration:  179:1979 / former loan number 1970.732 Provenance:  Unknown Measurements:  41.3 cm. Color:  Grey clay with traces of red and white pigments. Chronology:  MA IIIA (Parsons 1980: 142); Peche 500 - 600 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 142, fig. 216. Comments:  The mask, the volutes around the eyes and the hair tied in front correspond to glyph Ñ. Glyphs:  Glyph Ñ. Dating:  Shaplin and Zimmerman 1978, TL no. 1 (authentic).

Click to view high resolution in a new window select this image for review

Key:  SLAM 167:1979 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Valetta Malinowska; Morton D. May. Registration:  167:1979 / former loan number 1970.492 Provenance:  Unknown Measurements:  10.7 cm. Color:  Grey clay. Chronology:  MA IIIA (Parsons 1980: 144); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 144, fig. 220. Glyphs:  An engraved notch, which could be a coefficient, can be seen in the loincloth. Perhaps this number corresponds to the mouth mask and, if so, the mask must represent glyph M (1 M). Dating:  Shaplin and Zimmerman, 1978; TL no. 78 (850 rads, authentic).

Click to view high resolution in a new window select this image for review

Key:  SLAM 176:1979 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Everett Rassiga; Morton D. May. Registration:  176:1979 / former loan number 1970.729 Provenance:  Unknown Measurements:  32.5 cm. Color:  Gray clay with traces of red pigment. Chronology:  MA IIIA (Parsons 1980: 143); MA IIIB-IV (Winter 1994a: 149); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 143, fig. 217; Winter 1994a: 149. Comments:  Representation of Cocijo. The piece's back is engraved with two shapes of "Os" and incised lines. Glyphs:  Glyph C in the headdress. Dating:  Shaplin and Zimmerman, 1978, TL no. 13 (320 rads, authentic).

Click to view high resolution in a new window select this image for review

Key:  SLAM 116:1980 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Valetta Malinowska; Morton D. May. Registration:  116:1980 / former loan number 1968.576 Provenance:  Unknown Measurements:  34.5 cm. Color:  Grey clay with traces of red pigment. Chronology:  MA IIIB (Parsons 1980: 148); Peche 500 - 600 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 148, fig. 228. Comments:  The figure is holding a bag of incense in the hands and wears a cape decorated with dots. Glyphs:  The glyph Ñ in the face is represented by the volutes around the eyes. Dating:  Shaplin and Zimmerman, 1978, TL no. 24 (600 rads, authentic).

Click to view high resolution in a new window select this image for review

Key:  MFR 7738 Actual Location:  Frissell Museum, Mitla, Mexico. Collection:  Howard Leigh (date of purchase: 1960). Registration:  MFR 7738/ 3260? / INAH 3254 (National Anthropology and History Institute) Provenance:  Unknown Measurements:  38.5 x 24 cm. Color:  Dark grey clay with a lighter coating. The decoration in the headdress is covere Chronology:  MA IIIB (Boos 1966:150); Peche 500 - 600 AD   Click to view Chronology Reference:  Boos 1966: 150, fig. 136. Comments:  Human figure carrying a bag of incense in the hands and dressed with a cape decorated with shallow protrusions. Lines on face indicate an old man. Dating:  F10

Click to view high resolution in a new window select this image for review

Key:  MFR 1451 Actual Location:  Frissell Museum, Mitla, Mexico. Collection:  Howard Leigh Registration:  MFR 1451 Provenance:  Unknown Measurements:  39 cm. Color:  Grey clay. Chronology:  MA IIIB (Boos 1966: 465); Peche 500 - 600 AD   Click to view Chronology Reference:  Boos 1966: 465, fig. 434. Comments:  The upper part of the headdress is broken. Boos thinks that the stretched out hand could have held a vessel, but this type of gesture is common in effigy vessels. The photo presented by Boos shows the right hand intact, but, today, the piece is missing this hand.

Click to view high resolution in a new window select this image for review

Key:  MFR 4279 Actual Location:  Frissell Museum, Mitla, Mexico. Collection:  Ervin Frissell Registration:  MFR 4279 / INAH 2815 Provenance:  Zaachila, Oaxaca. Measurements:  10.8 x 9 cm. Color:  Reddish brown. Chronology:  MA IIIB (Boos 1966b: 15) MA IIIB-IV Paddock (MFR card); Xoo 600 - 800 AD   Click to view Chronology Reference:  Boos 1966b: 15, Boos 1968a: vol. III, plate XII; Eubanks 1999: 133, fig. 107. Comments:  Pot with two pouring handles. This piece is similar to other vessels with double pouring handles and Cocijo face, but, in this case, the handles have the shape of ears of corn. Compare with MNA 6-682 and MNA 6-6708. Glyphs:  Glyph C in the headdress flanked by two ears of corn.

Click to view high resolution in a new window select this image for review

Key:  KAISER 2 Actual Location:  Unknown Collection:  Darío Quero; Manuel Cervantes (Mexico City); Dr. William F. Kaiser (California); Sotheby's. Provenance:  Unknown Measurements:  45.7 cm. Color:  Dark grey clay with a light grey coating. Chronology:  MA IIIA (Boos 1966b: 57); Pitao 350 - 500 AD   Click to view Chronology Reference:  Boos 1966b: 57, figs. 35-36; Sotheby's, 14 May 2004 (http://search.sothebys.com/jsps/live/lot/LotDetail.jsp?lot_id=47R7D). Comments:  According to Boos (1966b: 57), this piece originally belonged to Darío Quero and was later acquired by Manuel Cervantes. It ended up in William F. Kaiser's collection. It is possible that the urn represents the Ñuiñe style. Glyphs:  Glyph F in the headdress and numeral 4 on the chest (4 F?). It is not clear whether the pectoral's element, decorated with dots, is a bar numeral or a glyph (unknown).

Click to view high resolution in a new window select this image for review

Go to Page:  1 2  3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27