FAMSI Resources

570 records searched.

Results 11 - 25 of 186 for "pitao"

Key:  MCO 587546 Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Registration:  587546 Provenance:  Unknown Measurements:  45 x 27 cm. Color:  Beige clay Chronology:  Pitao 350 - 500 AD   Click to view Chronology Comments:  This human figure is wearing a reptile mask. Glyphs:  Glyph C in the headdress.

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Key:  SLAM 133:1980 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Valetta Malinowska; Morton D. May Registration:  133:1980 / former loan number 1972.513 Provenance:  Unknown Measurements:  44 cm. Color:  Grey clay with traces of red, yello and white pigments. Chronology:  MA IIIA (Parsons 1980: 142); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980:142, fig. 215. Comments:  On both sides of glyph C, in the headdress, two quetzal birds, placed upside down, can be seen. Glyphs:  Glyph Ñ represented by the volutes around the eyes. Glyph C in the headdress. Dating:  Shaplin and Zimmerman 1978, TL no. 124 (authentic).

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Key:  SLAM 167:1979 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Valetta Malinowska; Morton D. May. Registration:  167:1979 / former loan number 1970.492 Provenance:  Unknown Measurements:  10.7 cm. Color:  Grey clay. Chronology:  MA IIIA (Parsons 1980: 144); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 144, fig. 220. Glyphs:  An engraved notch, which could be a coefficient, can be seen in the loincloth. Perhaps this number corresponds to the mouth mask and, if so, the mask must represent glyph M (1 M). Dating:  Shaplin and Zimmerman, 1978; TL no. 78 (850 rads, authentic).

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Key:  SLAM 176:1979 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Everett Rassiga; Morton D. May. Registration:  176:1979 / former loan number 1970.729 Provenance:  Unknown Measurements:  32.5 cm. Color:  Gray clay with traces of red pigment. Chronology:  MA IIIA (Parsons 1980: 143); MA IIIB-IV (Winter 1994a: 149); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 143, fig. 217; Winter 1994a: 149. Comments:  Representation of Cocijo. The piece's back is engraved with two shapes of "Os" and incised lines. Glyphs:  Glyph C in the headdress. Dating:  Shaplin and Zimmerman, 1978, TL no. 13 (320 rads, authentic).

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Key:  SLAM 249.1978 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Everett Rassiga; Morton D. May. Registration:  249:1978 1-5 / former loan number 1967.470 a-e Provenance:  Unknown Measurements:  42 x 28.5 x 26 dia. cm. Color:  Grey clay with traces of red pigment. Chronology:  MA II or III (Parsons 1980: 138); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Shaplin's files; Parsons 1980: 138, fig. 210; Winter 1994a: 154. Comments:  This piece represents Cocijo and is part of a series of five identical pieces. Glyphs:  Glyph C in the headdress. Dating:  Shaplin and Zimmerman, 1978, TL no. 8 (275 rads, authentic).

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Key:  KAISER 2 Actual Location:  Unknown Collection:  Darío Quero; Manuel Cervantes (Mexico City); Dr. William F. Kaiser (California); Sotheby's. Provenance:  Unknown Measurements:  45.7 cm. Color:  Dark grey clay with a light grey coating. Chronology:  MA IIIA (Boos 1966b: 57); Pitao 350 - 500 AD   Click to view Chronology Reference:  Boos 1966b: 57, figs. 35-36; Sotheby's, 14 May 2004 (http://search.sothebys.com/jsps/live/lot/LotDetail.jsp?lot_id=47R7D). Comments:  According to Boos (1966b: 57), this piece originally belonged to Darío Quero and was later acquired by Manuel Cervantes. It ended up in William F. Kaiser's collection. It is possible that the urn represents the Ñuiñe style. Glyphs:  Glyph F in the headdress and numeral 4 on the chest (4 F?). It is not clear whether the pectoral's element, decorated with dots, is a bar numeral or a glyph (unknown).

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Key:  MFR 12619 Actual Location:  Frissell Museum, Mitla, Mexico. Collection:  Howard Leigh Registration:  MFR 12619 Provenance:  San Felipe Tejalapa, Etla, Oaxaca. Measurements:  64 cm. Color:  Dark grey clay with traces of red pigment. Chronology:  MA IIIB (Boos 1966b: 80); Pitao 350 - 500 AD   Click to view Chronology Reference:  Boos 1966a: vol. II 26, plate XXV, 1966b: 80, fig. 59; Paddock 1966: 168, fig. 174; Urcid 1999: 254, fig. 20. Comments:  Drawing based on Urcid (1999: 254, fig. 20). The heavily attired figure holds a bag of incense in the left hand. On the right side of the figure's belt there is a circular element that may represent a mirror. In the center of the headdress, above a series of reptile (alligator) eyes, there is a figure wearing a Xicani mask. Compare the style of this urn with MDO 32 and MDO 33, that also come from the Etla valley.

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Key:  MFR 1241 Actual Location:  Frissell Museum, Mitla, Mexico. Collection:  Howard Leigh Registration:  MFR 1241 (Boos gives registration number 1248); INAH 3315 Provenance:  Unknown Measurements:  79 cm. Color:  Grey clay with traces of red pigment. Chronology:  MA IIIB (Boos 1966b: 84); Pitao 350 - 500 AD   Click to view Chronology Reference:  Boos 1966a: vol. II, 26, plates XXVI and XXVII; Boos 1966b: 84, figs. 64-65. Comments:  Urn representing a woman. Glyphs:  Glyph 5 X in the headdress (see piece ROM 1879 for the same glyph). The human figure in the headdress is wearing glyph C. Glyphs E decorate the cape and two glyphs 109, the headdress. Dating:  F7

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Key:  MFR 1773 Actual Location:  Frissell Museum, Mitla, Mexico. Collection:  Leonicio Sanchez; Ervin Frissell Registration:  MFR 1773 / INAH 2864 Provenance:  Ejutla, Oaxaca. Chronology:  MA IIIA (Paddock's judgement, MFR card); Pitao 350 - 500 AD   Click to view Chronology Reference:  Boos 1966a: vol II, plate XXXVII. Glyphs:  Glyph J inverted in pectoral.

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Key:  MFR 13010 Actual Location:  Frissell Museum, Mitla, Mexico. Collection:  Darío Quero Registration:  MFR 13010 / INAH 2893 Provenance:  Unknown Measurements:  18.7 x 12.2 x 11.5 cm. Color:  Grey clay with traces of red pigment. Chronology:  MA IIIA (Boos 1966b: 58; Shaplin according to MFR card); Pitao 350 - 500 AD   Click to view Chronology Reference:  Boos 1966a: vol. II, 108, plate XC; Boos 1966b: 58, fig. 37; Paddock 1966: 136, fig. 120. Glyphs:  Two bars and two dots in (12) under the hands. In the headdress, glyph F (owl) (12 F).

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Key:  MFR 1816 Actual Location:  Frissell Museum, Mitla, Mexico. Collection:  Ervin Frissell Registration:  MFR 1816 / INAH 2605 Provenance:  Miahuatlán, Oaxaca. Measurements:  29 x 23.5 cm. Color:  Polychromed: red, white and yellow. Chronology:  MA IV (Paddock, MFR card); Xoo 600 - 800 AD   Click to view Chronology Reference:  Boos 1964a: 87, plate VI. Comments:  Butterfly headdress. A late version of a common theme, especially during the Pitao period.

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Key:  MFVH B.349 Actual Location:  Museum für Volkerkunde und Vorgesshichte, Hamburg, Germany. Collection:  Dr. C.W. Lüdus (NAA photo archives: batch 92, box 6, binder 2). Registration:  B. 349 Provenance:  Unknown Measurements:  18 cm. Color:  Dark grey clay with a light grey coating. Chronology:  Pitao 350 - 500 AD   Click to view Chronology Reference:  Boos 1968a: vol. III, 30, plate XIV a & b. Glyphs:  Glyph F in the headdress. The bird's eyes are glyph E.

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Key:  MFVH 51.59.17 Actual Location:  Museum für Volkerkunde und Vorgesshichte, Hamburg, Germany. Registration:  51.59.17 Provenance:  Unknown Measurements:  17 cm. Chronology:  MA III (Boos 1962:135); Pitao 350 - 500 AD   Click to view Chronology Reference:  Boos 1962: 129-135, plate III. Glyphs:  This piece has glyph L in the headdress with a bar numeral underneath (Urcid 1992: 407). Boos maintains that this shape represents glyph E "earthquake" (Boos 1962: 133).

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Key:  MFVV 55.158 Actual Location:  Museum für Völkerkunde, Vienna, Austria. Collection:  Edward Seler Registration:  55.158 Provenance:  Santa María Atzompa, Oaxaca. Measurements:  102.5 x 95 cm. (!) ; Boos da otras medidas 41 x 38 cm. Color:  Traces of red paint. The face is painted in blue. Chronology:  MA IIIB (Winter 1994a: 150); Pitao 350 - 500 AD   Click to view Chronology Reference:  Seler 1960: plate 17; Bernal 1966: 81, fig. 1; Boos 1966b: 73, fig. 52; Winter 1994a: 150. Comments:  For other examples, see MNA 6-635, cm.A 44.78, EMB 24882, MDO 32 and MFR s/n 1. For an analysis of this type, see Sellen 2002: 9. Glyphs:  Glyph C in the headdress. Cocijo mask (glyph M) flanked by two ears of corn.

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Key:  MDO 33 Actual Location:  Dolores Olmedo Museum, Mexico City, Mexico (exhibited). Collection:  Fernando Sologuren; Armilia Van Rijn (195?-1964); Dolores Olmedo Patiño (presently). Registration:  Record from the National Anthropology and History Institute (INAH), P.F. 100, LO 33 Provenance:  Etla, Oaxaca, according to an undated foto by Rickards. Measurements:  63 x 48.5 cm. Color:  Dark grey clay Chronology:  MA IIIA (Boos 1966b: 390); Pitao 350 - 500 AD   Click to view Chronology Reference:  Photo from Rickards, circa 1911 (document by Jorge Rickards); Caso and Bernal 1952: 209, fig. 346; Boos 1966b: 390, fig. 360a and b; Anton and Dockstader 1969: 45. Comments:  This piece was probably found by Fernando Sologuren at the beginning of the last century. In 1928, Caso and Bernal (1952: 97) took pictures of the piece when it was at Mercedes Sologuren's house. At the beginning of the 1950s, the piece went to Machilda Armilia Van Rijn and then, in 1964, it was acquired by Dolores Olmedo Patiño (personal communication with Patricia Van Rijn, 1999). For a similar Etla style of this period compare it with MDO 32 and MFR 12619. Glyphs:  Glyph E "Xoo" reproduced several times in the headdress. The headdress mask corresponds to glyph U. Above the mask's nose, a jaguar's head can be seen and, above it, the glyph for corn.

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