FAMSI Resources

570 records searched.

Results 51 - 65 of 182 for "glyph C"

Key:  ROM 1915 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 1915 Provenance:  Unknown Measurements:  15 cm. Color:  Grey clay. Chronology:  Pitao 350 - 500 AD   Click to view Chronology Glyphs:  Glyph C in the headdress.

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Key:  ROM 1922 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 1922 / 917.4. 33 Provenance:  Zimatlán, Oaxaca. Measurements:  26.5 x 17 cm. Color:  Grey clay covered with red pigment. Chronology:  Tani 200 - 350 AD   Click to view Chronology Reference:  ROM 1963: 175; Boos1964b: plate XII. Comments:  A piece from the transition period. Glyphs:  The mask in the headdress could represent glyph M. Above this mask, there is an early version of glyph C.

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Key:  ROM 1923 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 1923 / 917.4.97 Provenance:  Unknown Measurements:  33 x 31 cm. Color:  Grey clay. Chronology:  Late Xoo 600 - 800 AD   Click to view Chronology Reference:  Boos 1964b: plate XXIII. Comments:  The figure holds a vessel with feathers in the hands. Compare with MM 3051.73. These two pieces are almost identical. Glyphs:  Glyph C in the headdress. Dating:  TL by Shaplin and Zimmerman, test #12: authentic.

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Key:  ROM 1929 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 1929 Provenance:  Unknown Measurements:  26.5 cm. Color:  Grey clay with traces of red, yellow and greed pigments. Chronology:  Pitao 350 - 500 AD   Click to view Chronology Comments:  This piece is identical to ROM 1935 and probably constitute a series. Glyphs:  Glyph C in the headdress.

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Key:  ROM 335 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 335 and HM 1931 (base) Provenance:  Zaachila, District of Zimatlán, Oaxaca. Measurements:  35.5 cm. Color:  Grey clay. Chronology:  Xoo 600 - 800 AD   Click to view Chronology Comments:  The legs of this piece are broken and are falling off the vessel. Glyphs:  Glyph C in the headdress flanked by two ears of corn.

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Key:  ROM 1936 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 1936 Provenance:  Unknown Measurements:  21 x 18.5 cm. Color:  Beige clay. Chronology:  Peche 500 - 600 AD   Click to view Chronology Comments:  This piece is almost identical to another at the Museum of Cultures in Oaxaca, which was excavated by Caso and Bernal in Monte Albán (mound YW, well 1, no. 8 - cf. Caso & Bernal 1952: fig. 64 and Caso et al. 1967: 125, fig. 79). There is a vessel between the figure and the throne's back. The upper edge of the piece has three perforations. Compare with UPM 29-41-707, MFR s/n 6, SMI 115002, MCO 0679 and KERR 6460. Glyphs:  Glyph C in the headdress.

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Key:  ROM 1945 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 1945 Provenance:  Unknown Measurements:  20 cm. Color:  Grey clay. Traces of red pigment. Chronology:  Niza 100 BC - 200 AD   Click to view Chronology Comments:  A very early example of the Cocijo. Glyphs:  The figure has a variant of glyph C in the headdress. Glyph epsilon or "blood" hanging from the ears.

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Key:  ROM 1946 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 1946 Provenance:  Monte Albán, Oaxaca. Measurements:  34 cm. Color:  Grey clay. Chronology:  Niza 100 BC - 200 AD   Click to view Chronology Comments:  This piece is fragmented. Glyphs:  Glyph C in the headdress (broken). The hairpin glyph decorates the cape (rain?).

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Key:  ROM 1949 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 1949 Provenance:  Unknown Measurements:  33.5 cm. Color:  Beige clay with traces of red pigment. Chronology:  Xoo 600 - 800 AD   Click to view Chronology Comments:  The posture, the position of the hands and the dotted cape indicate that the figure was carrying a bag of incense. The face bears marks from a tattoo or facial scarification. Glyphs:  Glyph C in the headdress. Dating:  TL by Lazos, Ortiz, Ruvalcaba and Sellen, 1999, test #100362: authentic.

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Key:  ROM 346 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 346 Provenance:  Zaachila, District of Zimatlán, Oaxaca. Measurements:  16 cm. Color:  Grey clay. Chronology:  Pitao 350 - 500 AD   Click to view Chronology Reference:  Sellen 1999b: 1, fig. 1. Glyphs:  Part of the headdress, where there was certainly a glyph C, is broken.

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Key:  ROM 65 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 65 / 917.4.32 Provenance:  Etla, Oaxaca. Measurements:  20 cm. Color:  Light grey clay with traces of red pigment, particularly on the face and Chronology:  Tani 200 - 350 AD   Click to view Chronology Reference:  Boos 1964b: plate XIX. Comments:  This piece has a companion (see ROM 67) which is more complete. Also, the piece under ROM 1940 could be the companion of pieces ROM 65 and ROM 67, because, according to a PIXE test, the ceramic paste is almost identical for the three objects. Glyphs:  It had glyph C in the headdress (broken).

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Key:  ROM 653 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 653 / 917.4.39 Provenance:  Unknown Measurements:  18 cm. Color:  Light grey clay. Chronology:  Tani 200 - 350 AD   Click to view Chronology Reference:  Boos 1964b: plate XV. Glyphs:  Glyph C in the headdress. Dating:  TL by Lazos, Ortiz, Ruvalcaba and Sellen, 1999, test #090316: authentic.

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Key:  ROM 67 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 67 Provenance:  Etla, Oaxaca. Measurements:  23 cm. Color:  Light grey clay with traces of red pigment, particularly on the face and Chronology:  Tani 200 - 350 AD   Click to view Chronology Comments:  This piece has a companion, which is not as complete (see ROM 65). ROM 1940 could also be the companion of pieces ROM 65 and ROM 67 because, according to a PIXE test, the ceramic paste is almost the same for the three objects. Glyphs:  It has glyph C in the headdress.

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Key:  GM 83.1.179 Actual Location:  Gardiner Museum of Ceramic Art, Toronto, Canada. Collection:  Howard Leigh (date of purchase 1954); Davis; George C. Gardiner. Registration:  G83.1.179 Provenance:  Suchilquiltongo, Oaxaca. Measurements:  76 cm. Color:  Beige clay. Chronology:  MA IIIB (Boos 1966b: 90); Peche 500 - 600 AD   Click to view Chronology Reference:  Isaac Delgado Museum of Art, 1968: no. 108; Boos 1966b: 90; Sotheby Parke Bennet 1974 (October 11): 284; Sotheby Parke Bennet 1975: 366; Winter 1990: 131, fig. c. Comments:  This monumental vessel is part of a series of four. The other three are at the Frissell Museum: cat. MFR 927, INAH 3313 and MFR 1240. From this last piece, only the head exists. Howard Leigh removed one of these pieces from Mexico and sold it to an individual by the name of "Davis" who lives in New Orleans, United States. Then the piece was auctioned at Sotheby Parke Bennet in 1975 where it was acquired by George C. Gardiner. Glyphs:  Glyph C in the headdress. Dating:  TL by Lazos, Ortiz, Ruvalcaba and Sellen, 1999, test #GAR107: authentic.

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Key:  MFVV 274 Actual Location:  Museum für Völkerkunde, Vienna, Austria. Collection:  Manuel Ortega Reyes Registration:  Ausst. Nr. 274 Provenance:  Unknown Chronology:  Pitao 350 - 500 AD   Click to view Chronology Reference:  von Müller 1998 [1864]: 82; Die Mexikanish Sammlungen de Museums für Völkerkunde, Vienna, 1965, plate 19. Comments:  The figure is missing the pectoral and the part of the mouth mask. He is holding a rope in the right hand, but, as concerns the object in the left hand, there was not enough detail in the photograph to determine its shape. The human figure has the same posture as pieces BM 1946/AM 19/6 and MFVB 28354, so it could be about self-sacrifice of the penis with the rope he is holding. Glyphs:  Glyph C in the headdress.

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