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570 records searched.


Results 171 - 182 of 182 for "glyph C"
Key:  MNA 6-846
Actual Location:  National Anthropology Museum, Mexico City, Mexico.
Collection:  Fernando Sologuren
Registration:  6-846
Provenance:  Xoxocotlán, Oaxaca.
Measurements:  59 cm.
Color:  Grey clay
Chronology:  Xoo 600 - 800 AD
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Reference:  Caso and Bernal 1952: 508, fig. 228
Comments:  There is confusion about who found this piece. According to Caso and Bernal (1952: 508) it was Marshall Saville and they cite his article of 1899. However, there is no mention of this piece in the work. It was undoubtedly part of the Sologuren Collection because it is shown in photos of his heritage, at the beginning of the last century.
Glyphs:  Glyph C in the headdress (broken).

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Key:  MFR 5183
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Ervin Frissell
Registration:  5183
Provenance:  Tlacolula, Oaxaca.
Measurements:  14.5 cm.
Color:  Grey clay
Chronology:  MA IIIA (Shaplin's opinion); Pitao 350 - 500 AD
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Comments:  Effigy with Cocijo mask. Drawing based on a photo from Philippa Shaplin.
Glyphs:  Glyph C in the headdress. Glyph for corn field in pectoral. Two epsilon (or blood) glyphs hanging from the ear pieces.

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Key:  MFR s/n 4
Actual Location:  Frissell Museum, Mitla, Mexico.
Provenance:  Huitzo, Oaxaca.
Measurements:  22 cm.
Color:  Grey clay
Chronology:  Xoo 600 - 800 AD
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Comments:  The whole face is missing. Interesting piece due to the unrecorded way of presenting glyph C. Drawing based on a photo from Philippa Shaplin.
Glyphs:  Four glyphs C around the headdress.

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Key:  MCO 6-694
Actual Location:  Museum of the Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited).
Collection:  Fernando Sologuren
Registration:  6-694
Provenance:  Zimatlán, Oaxaca.
Measurements:  49 cm.
Color:  Grey clay
Chronology:  Xoo 600 - 800 AD
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Reference:  Caso and Bernal 1952: 91, fig. 151; Martínez et al. 2000: 127, fig. 48c.
Comments:  This figure holds a demijohn and is wearing a mask. The piece belongs to a series of four. The other three pieces of the group are at the Smithsonian Institution, under catalog numbers SMI 215060 (complete piece), SMI 215061 and SMI 214994 (fragmented pieces).
Glyphs:  Glyph C in the headdress.

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Key:  SMI 215060
Actual Location:  Smithsonian Institution, Washington D.C., United States.
Registration:  215060
Provenance:  Zimatlán, Oaxaca.
Measurements:  49 cm.
Color:  Grey clay.
Chronology:  Xoo 600 - 800 AD
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Comments:  This figure holds a demijohn and is wearing a mask. The piece belongs to a group of four. Two pieces from the series are at the Smithsonian Institution (catalog numbers SMI 215061 and SMI 214994 - fragmented pieces) and another piece is exhibited, in Oaxaca, see MCO 6-694.
Glyphs:  Glyph C in the headdress.

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Key:  MACP A-0299
Actual Location:  Museum of Archaeology Carlos Pellicer, Villahermosa, Tabasco, Mexico
Registration:  A-0299
Provenance:  unknown
Measurements:  45 x 28.5 cm.
Color:  Beige
Chronology:  Pitao 350 - 500 AD
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Comments:  Piece is probably missing elements on each side of the headdress. Water eroded breaks.
Glyphs:  The glyph C in the headdress

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Key:  MACP A-0289
Actual Location:  Museum of Archaeology Carlos Pellicer, Villahermosa, Tabasco, Mexico
Registration:  A-0289
Provenance:  unknown
Color:  Grey clay with vestiges of red pigment.
Chronology:  Xoo 600 - 800 AD
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Glyphs:  The glyph C in the headdress.

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Key:  MACP A-0290
Actual Location:  Museum of Archaeology Carlos Pellicer, Villahermosa, Tabasco, México
Registration:  A-0290
Provenance:  unknown
Color:  Grey with vestiges of red pigment.
Chronology:  Xoo 600 - 800 AD
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Glyphs:  The glyph C en the headdress.

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Key:  UD Yatachio
Actual Location:  Unknown location
Provenance:  Cruciform cache, Mound C, Yatachio, Mixteca Alta, Oaxaca
Chronology:  Xoo 600 - 800 AD
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Reference:  Paddock 1953: 14-15, and 42, fig. 10.
Comments:  (This information from Javier Urcid 2006) The cache had been seemingly disturbed, but it apparently had at least six anthropomorphic vases, including this one. The excavators report that this vase was "definitely not of a local make" (Paddock 1953: 15). Other objects associated with the cache included three small jade pieces (including a half broken disk), a shell piece, a tiny polished jade ring (from a composite earplug?), a small thick jade bead, and a button of shell.
Glyphs:  The glyph C in the headress.

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Key:  CBE 56
Actual Location:  Unknown location
Collection:  Louis Gustave Bellon
Registration:  Col. Bellon no. 56
Provenance:  Magdalena Apasco, District of Etla, Oaxaca
Chronology:  Peche 500 - 600 AD
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Reference:  Photograph en the archive of Marshall H. Saville, American Museum of Natural History, box 27.
Comments:  Drawing based on a black and white photograph. An element is missing the center of the headdress, where it was adhered to the braid. Possibly this was a glyph C or perhaps a coefficient that accompanied one of the glyphs. A jaguar rests on top of the headdress, and this is a rare, but for a similar image see MFR 1473.

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Key:  BARAKAT 2
Actual Location:  Barakat Gallery, Beverly Hills, California, United States
Provenance:  unknown
Color:  Covered in red pigment.
Chronology:  Pitao 350 - 500 AD
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Reference:  http://www.barakatgallery.com/store
Comments:  Seated figure wearing a Cocijo mask. The pectoral plate is a curious version of the "milpa" glyph, given that the three dots in the center are placed vertically. Most glyphs of this type have the dots placed horizontally.
Glyphs:  The glyph for "cornfield" constitutes the pectoral plate. In the headdress there is a large glyph C.

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Key:  NMAI 180086
Actual Location:  National Museum of the American Indian, Smithsonian Institution
Collection:  Louis Gustave Bellon; George Heye (donated 1931)
Registration:  Col. Bellon no. 301; NMAI cat. 180086.000
Provenance:  Zaachila, Center District, Oaxaca
Measurements:  45 x 41 cm.
Color:  Grey clay
Chronology:  Peche 500-600 AD
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Reference:  Photograph of the piece in the Bellon collection in the archive of Marshall H. Saville, American Museum of Natural History, box 27.
Comments:  In September 1894 Martínez Gracida found this piece in a grave next to three other identical objects. Soon after he sold the objects: One to Luis Reynaud, two to Lucio Smith, and one to Eduard Seler along with the rest of his collection. Today there are two identical artefacts in the Smithsonian Institution but they are not complete (see SMI 198426 and SMI 198427). These come from Lucio Smith via E. W. Nelson. There is a more complete object in the Peabody Museum (see PMAE 10609) that was gift from the AMNH in 1929. This was the urn donated by Seler in 1895. The fourth piece, the urn purchased by Luis Reynaud, ended up in the Bellon collection. George Heye bought the object at auction in Paris in 1928 or 1929.
Glyphs:  The glyph C in the headdress. Based on the more complete objects, it also hade the glyph epsilon hanging from the ears.

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