FAMSI Resources

570 records searched.

Results 41 - 55 of 154 for "peche"

Key:  MBR 38.52 Actual Location:  Brooklyn Museum, New York, United States. Collection:  Fondo Carl H. Desilver. Registration:  38.52 Provenance:  Unknown Measurements:  28.5 x 18 cm. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Winter 1994a: 152-153. Comments:  The figure holds an unknown object in the hands. Glyphs:  Glyph C in the headdress.

Click to view high resolution in a new window select this image for review

Key:  MES 23.8.307 Actual Location:  Swedish Ethnographic Museum, Stockholm, Sweden. Collection:  August Edwin Paulson Registration:  23.8.307 Provenance:  Tuxtepec, Oaxaca. Measurements:  37.9 x 31.9 cm. Color:  Front part in red. Traces of green paint. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Linné 1938: 160, plate 31. Comments:  The piece has been partially restored. According to Linné, it was wearing a Cocijo mask. Glyphs:  Glyph J in the headdress. Two alligator eyes in the throne's back and above these, two glyphs for sprouted corn.

Click to view high resolution in a new window select this image for review

Key:  MES 29.4.1 Actual Location:  Swedish Ethnographic Museum, Stockholm, Sweden. Collection:  August Edwin Paulson Registration:  29.4.1 Provenance:  Unknown Measurements:  29.5 cm. Color:  Traces of red paint on face and on front side of piece. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Linné 1938: 136, plate 19; Urcid 1993: 154, fig 15 (2). Comments:  Urcid (1993: 154) maintains that the figure in the headdress is the Zapotec Xicani. Glyphs:  Glyph F on the chest. The glyph in the base corresponds to glyph #22 "heart" (Urcid 1993: 150).

Click to view high resolution in a new window select this image for review

Key:  FM 241092 Actual Location:  The Field Museum, Chicago, United States. Collection:  Fernando Sologuren #570 Registration:  241092 (Boos gives number 93545) Provenance:  Santa Inés Yatzechi, Oaxaca. Measurements:  46 x 31.5 cm. Color:  Grey clay with traces of red paint. Chronology:  MA IIIB (Boos 1966b: 42); MA IIIB-IV (Winter 1994: 147); Peche 500 - 600 AD   Click to view Chronology Reference:  Schlattman's photograph, circa 1901; Boos 1966: 42, fig. 18; Winter 1994a: 147. Comments:  In a photograph by Schlattman, this piece appears on the floor of Sologuren's house. The piece went to the United States through an exchange between the National Anthropology Museum and the Field Museum in 1951. The tripartite phalanxes that are displayed on both sides of the piece are broken. Glyphs:  Epsilon glyph hanging from the ear. Glyph C in the headdress.

Click to view high resolution in a new window select this image for review

Key:  STENDAHL 1 Actual Location:  Unknown Provenance:  Unknown Measurements:  33 cm. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Stendahl 1968: fig. 237. Glyphs:  The epsilon glyph hanging from the ears. Inside the glyph's cartouches, there seems to be a numeral bar of 5 in each. Glyph C in the headdress.

Click to view high resolution in a new window select this image for review

Key:  PMAE 10609 Actual Location:  Peabody Museum of Archaeology and Ethnology, Harvard University, United States. Collection:  Martínez Gracida 1894; Eduard Seler 1895; Given as a gift to the PMAE from the AMNH in 1929. Registration:  29-48-20/C10609 Provenance:  Zaachila, Oaxaca. Measurements:  44 x 38 cm. Color:  Grey clay. Chronology:  MA IIIB (Boos 1966: 29); MA IIIB-IV (Winter 1994: 145); Peche 500 - 600 AD   Click to view Chronology Reference:  Martínez Gracida, Oaxacan Indians and their archaeological monuments, Vol. I, Ceramics, 1910, plate 81, unpublished work; Boos 1966b: 30, fig. 2.; Winter 1994: 145. Comments:  In September 1894 Martínez Gracida found this piece in a grave next to three other identical pieces. Soon after he sold all four objects: one to Luis Reynaud, two to Lucio Smith, and one to Eduard Seler along with the rest of his collection. The object in the Peabody was a donation from the AMNH in 1929, and is the urn that Seler purchased from Martínez Gracida in 1895. Today there are two artefacts identical to the one at the Peabody Museum in the Smithsonian Institution but they are not as complete (see SMI 198426 and SMI 198427). The pieces in the Smithsonian come from Lucio Smith via E. W. Nelson. The fourth piece, the urn purchased by Luis Reynaud, ended up in the Bellon collection (see NMAI 180086). Glyphs:  The epsilon glyph hangs from the ears. Glyph C in the headdress.

Click to view high resolution in a new window select this image for review

Key:  SMI 198427 Actual Location:  Smithsonian Institution, Washington D.C., United States. Collection:  Martínez Gracida 1894; Lucio Smith; E.W. Nelson. Acquired by the SMI on 29 March 1899. Registration:  Cat. 198427; Acc. # 34807 Provenance:  Zaachila, Oaxaca. Measurements:  44 x 38 cm. Color:  Dark grey clay Chronology:  MA IIIB (Boos 1966b: 30); Peche 500 - 600 AD   Click to view Chronology Reference:  Martínez Gracida, Oaxacan Indians and their archaeological monuments, Vol. I, Ceramics, 1910, plate 81, unpublished work; Boos 1966b: 30, fig. 3.; Whitecotton 1977: 65. Comments:  In September 1894 Martínez Gracida found this piece in a grave next to three other identical pieces. Soon after he sold all four objects: one to Luis Reynaud, two to Lucio Smith, and one to Eduard Seler along with the rest of his collection. Today there are two identical artefacts in the Smithsonian Institution but they are not complete (see also SMI 198426). The pieces in the Smithsonian come from Lucio Smith via E. W. Nelson. The artefact in the Peabody Museum (see PMAE 10609) arrived via the AMNH in 1929. This is the most complete artifact and was the urn purchased by Eduard Seler in 1895. The fourth piece, purchased by Luis Reynaud, ended up in the Bellon collection (see NMAI 180086). Glyphs:  The epsilon glyph hangs from the ears. Glyph C in the headdress.

Click to view high resolution in a new window select this image for review

Key:  CPA 1 Actual Location:  Unknown Collection:  Anonymous private collection Provenance:  Unknown Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Rediscovered Masterpieces of Mesoamerica: Mexico-Guatemala-Honduras, 1985. Comments:  An old man's head with a jaguar's headpiece. Because of the picture's angle, it was hard to determine which were the glyphs and its relevant coefficients. Glyphs:  Glyph 2X in the headdress? In the middle, two glyphs U on both sides of the face with bare jaws. At the bottom, two glyphs X on both sides.

Click to view high resolution in a new window select this image for review

Key:  ROM 16 Actual Location:  Museo Real de Ontario, Toronto, Canadá. Collection:  Constantino Rickards Registration:  HM 16 Provenance:  Tecomavaca, Oaxaca. Measurements:  25.5 cm. Color:  Grey clay. Chronology:  Peche 500 - 600 AD   Click to view Chronology Comments:  The figure is wearing a mask with feline traits. Glyphs:  Glyph C in the headdress. Dating:  TL by Lazos, Ortiz, Ruvalcaba and Sellen, 1999, test #110393: authentic.

Click to view high resolution in a new window select this image for review

Key:  ROM 1879 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 1879 Provenance:  Unknown Measurements:  16.5 cm. Color:  Dark grey clay with traces of red paint on the face and glyph. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Sellen 2000b: 2, fig. 3. Glyphs:  The glyph in the headdress is X. The coefficient is 5, represented by dots instead of a bar, breaking off with the Zapotec tradition of numbering (5X).

Click to view high resolution in a new window select this image for review

Key:  ROM 1936 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 1936 Provenance:  Unknown Measurements:  21 x 18.5 cm. Color:  Beige clay. Chronology:  Peche 500 - 600 AD   Click to view Chronology Comments:  This piece is almost identical to another at the Museum of Cultures in Oaxaca, which was excavated by Caso and Bernal in Monte Albán (mound YW, well 1, no. 8 - cf. Caso & Bernal 1952: fig. 64 and Caso et al. 1967: 125, fig. 79). There is a vessel between the figure and the throne's back. The upper edge of the piece has three perforations. Compare with UPM 29-41-707, MFR s/n 6, SMI 115002, MCO 0679 and KERR 6460. Glyphs:  Glyph C in the headdress.

Click to view high resolution in a new window select this image for review

Key:  ROM 347 Actual Location:  Royal Ontario Museum, Toronto, Canada. Collection:  Constantino Rickards Registration:  HM 347 / 917. 4. 37 Provenance:  Unknown Measurements:  18 cm. Color:  Grey clay with traces of green pigment. Chronology:  MA IIIB (Caso and Bernal 1952: 158-159); Peche 500 - 600 AD   Click to view Chronology Reference:  Boos 1964b: plate XX. Comments:  The tongue coming out of this piece's mouth covers the pectoral. Glyphs:  The glyph for "corn field" in the pectoral.

Click to view high resolution in a new window select this image for review

Key:  GM 83.1.179 Actual Location:  Gardiner Museum of Ceramic Art, Toronto, Canada. Collection:  Howard Leigh (date of purchase 1954); Davis; George C. Gardiner. Registration:  G83.1.179 Provenance:  Suchilquiltongo, Oaxaca. Measurements:  76 cm. Color:  Beige clay. Chronology:  MA IIIB (Boos 1966b: 90); Peche 500 - 600 AD   Click to view Chronology Reference:  Isaac Delgado Museum of Art, 1968: no. 108; Boos 1966b: 90; Sotheby Parke Bennet 1974 (October 11): 284; Sotheby Parke Bennet 1975: 366; Winter 1990: 131, fig. c. Comments:  This monumental vessel is part of a series of four. The other three are at the Frissell Museum: cat. MFR 927, INAH 3313 and MFR 1240. From this last piece, only the head exists. Howard Leigh removed one of these pieces from Mexico and sold it to an individual by the name of "Davis" who lives in New Orleans, United States. Then the piece was auctioned at Sotheby Parke Bennet in 1975 where it was acquired by George C. Gardiner. Glyphs:  Glyph C in the headdress. Dating:  TL by Lazos, Ortiz, Ruvalcaba and Sellen, 1999, test #GAR107: authentic.

Click to view high resolution in a new window select this image for review

Key:  BM 1946/AM/19/5 Actual Location:  British Museum, London, England. Registration:  1946/AM/19/5 Provenance:  Tyllo, Oaxaca. Measurements:  32 cm. Color:  Cream with light grey coating. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Boos 1966b: 406, fig. 374. Comments:  The figure is holding a non-identified object in the hands. However, it could be a bag of incense. It wears a mouth jaguar mask and has rosettes in the headdress. There is also a plaited cord in the headdress, on the left side.

Click to view high resolution in a new window select this image for review

Key:  BIRM 1965.33 Actual Location:  Birmingham Museum, Birmingham, England. Registration:  1965:33:00 Provenance:  Unknown Measurements:  53.3 x 30 x 28 cm. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Collection's catalog, Birmingham Museum of Art, 1984: 39, fig 26. Comments:  This piece accompanies two more: one that is at the Rufino Tamayo Museum in Oaxaca, Mexico (MRT 3) and another, which is in Stanford (SUAM 1997.167). There were probably four or five in total. Glyphs:  Glyph C in the headdress.

Click to view high resolution in a new window select this image for review

Go to Page:  1 2 3 4 5 6 7 8 9 10 11